This book displays plenty of Hammer’s film posters around the world. It is written by Marcus Hearn, co-writer of The Hammer Story in 1997. This is mainly a picture book and it contains short written introduction about Hammer and it’s advertising activities. The posters are in chronological order and sorted by year they were released.
Featured posters are from various countries and represent naturally wildly different styles for same films. For example Polish posters are radically different from their British counterparts. Whereas British posters are traditional the Polish posters are surprisingly modern and features often distorted photographs instead of hand drawn illustrations.
The book has 191 pages and the last featured year is 1979 when Hammer’s fame was already starting to wane. This book is in no means the definite collection of Hammer film poster but offers great overlook to the company’s film advertising. I certainly think this collection is enough for many people interested in all things Hammer. A highly recommended!
This is a very special and lovely book for all serious Peter Cushing fans. Wayne Kinsey has made the book in collaboration with Cushing’s private secretary Joyce Broughton with Tom Johnson. The book is filled with wealthy collection of behind-the-scenes photos from film sets, Cushing’s artwork, scripts, posters, advertisements, you name it. Each page has also an insightful information/commentary written by the author. The book begins from Cushing’s childhood and continues chronologically as the career advances highlighting his work in numerous films. There are many little known films in which Cushing appeared and the book is great for discovering Cushing’s many roles.
This book is exhaustive with over 1800 pictures and I mean it in totally positive way. This book was released in 2013 to celebrate Peter Cushing 100th birthday on 26 May, 2013.
The book has 328 pages in landscape format. It is limited printing of 2000 units. You can order the book directly from the author at Peveril Publishing.
Film poster project continues with a poster that draws title from a Blue Öyster Cult song titled ”Fire of Unknown Origin” off their 1981 LP of the same name. This time my visual influence led me to use late great Hammer Horror star Peter Cushing and make a tribute poster for him and acknowledge his crucial input to classic horror.
In the first sketch of the poster there were to be three faces: Christopher Lee, Vincent Price and Peter Cushing. The poster was also meant have a scene depicting masked secret society circled around a massive fire. However, I soon found out that these actors had, in fact, made a film together entitled ”House of the Long Shadows” released in 1983. At this point I decided to strip the elements in the poster to minimum; only Cushing and his hand in flame. Use of black and white paint underline the simplicity of composition.
As the painting advanced nicely I found my sketch lacked proper volume and chiaroscuro (=light and dark). The sketch is fine in it’s own right but was no help for me at later stage of painting process. I took several shots of my face in dark and luckily one was exactly right for the painting. The photo reference helped me to finish the painting more quickly than without a reference.
Back in the day when poster artist didn’t receive reference photos in time they had to do some modeling on their own. For example: Tom Chantrell used his likeness when he was painting ”Dracula Has Risen from the Grave” standing in for Christopher Lee in the late 1960s.* Drew Struzan was his own body model in quilted jacket when he was working on ”The Thing” poster in the early 1980s.**
*Sim Branaghan: British Film posters, BFI Publishing, 2006
** Drew Struzan, David J. Schow: The Art of Drew Struzan, Titan Books, 2010
I am currently doing series of vintage looking film posters and I’d like to share some insight to the creative process behind them. This also marks my very first blog post on the subject.
Inspiration for ”Iron Man” poster came from a Black Sabbath song. Lyrics of the song were basis for the elements you see in the painting. After all, the song is a true Hammer Horror tale of an vengeful astronaut trapped inside space suit.
Here you can see development stages of ”Iron Man” character. I did not want to have that traditional hi-tech NASA or Transformers look but rather very clumsy, barrel chested, kind of a like deep sea diver from the 1940s. Lack of any facial features on the mask was intentional to achieve inhuman, sort of a ghost like presence.